Motherhood, Mothering, and Mothers

by: Sam Rivas, Contributor & Guest Author

De-Canon contemplates the complexities of things we might think about on Mother’s Day, highlighting a few books by women writers of color on motherhood, mothering, mothers, and inheritance. Below are my favorite glimpses of The Breaks by Julietta Singh, Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History by Camille T. Dungy, and Bring Down the Little Birds by Carmen Giménez Smith.

Being a daughter to a mother who is 843 miles away, has reminded me of my newborn self—calling every hour and crying to be fed words of reassurance. I am pregnant for the first time and each of these books feels like a Bible designed to understand mothers. They are gems of wisdom holding space in a world that typically focuses on the ugly of motherhood.

"Mothering at the end of the world is an infinite toggle between wanting to make you feel safe and needing you to know that the earth and its inhabitants are facing a catastrophic crisis."— The Breaks, Julietta Singh

"…[T]he size of a mother’s brain changes during pregnancy and the early stages of motherhood… Because of my changing brain, I understand things differently… I am, I believe now, more prepared to be accepting of the humanity in all of us. The biggest difference between the smiting God of the Old Testament and the forgiving God of the New, I’d argue, is that the New Testament God went and had a baby." —Guidebook to Relative Strangers: Journeys into Race, Motherhood, and History, Camille T. Dungy

“Mother is heavy matter, lead. Weighed down with my son in my arms, groceries, a diaper bag, the baby inside me. I am bound to this earth by downward momentum.” —Bring Down the Little Birds, Carmen Giménez Smith

Sep 12, 2018

De-Canon: A Celebration of Our Summer Events & A Look Forward

Our stay at Mile Post 5 has been a phenomenal experience. We have enjoyed having a large space to ourselves in which we’ve been able to not only exhibit the entire (and continually expanding) collection of books, but create a space where we’ve hosted readings, offered writing workshops, provided room for meetings, and enabled writers and artists of color to interact with each other, as well as the local community. Here’s an overview of what' we’ve done this summer.

Mar 6, 2018

Some Notes for AWP 2018

Although De-Canon does not have a formal presence at AWP this year (that is, we didn't invest in a table), we will still have a presence of sorts. If you'd like to chat about the project, discuss past or future post topics for the blog, or want to learn more about how to have your own books included in the archive, stop by Table 1136 in the bookfair to find Neil who is representing Boxcar Poetry Review & Have Book Will Travel.

Mar 2, 2018

Owning the Means of Production, Part 2: POC-Edited Literary Journals

In this post, we survey the landscape of literary journals and provide a listing of currently operating journals which are helmed by POC editors. In total, we found __ literary journals whose mastheads list a writer of color as their editor-in-chief. Many also feature additional associate editors and staff members who are also POC. Some of these journals have been around since the 70s, but many are newer online journals, having come into existence in the last 5 years.

Feb 22, 2018

Owning the Means of Production, Part 1: POC-run Presses

If we hope to truly challenge or reimagine literary canon, it is not enough to consider the academic programs where young writers are taught and trained. We must look beyond the classroom and the professoriate, past endless reams of syllabi making and remaking what constitutes canon, and consider the practical matter of how these texts enter the field in the first place. In this post, we present a list of POC-helmed presses that are currently in operation.

Feb 7, 2018

Upcoming Poetry Book Prize Contests for POC Writers

Although the field of literary publishing is still primarily populated by white editors and publishers, there are some POC-owned and directed publishers and a number of new and well-established poetry book prizes that are judged by respected POC authors and which seek to champion work of writers from particular communities of color. If you're a POC poet with a book manuscript in need of a home, here's a list of upcoming contests you might want to try

Feb 2, 2018

POC Writers and Their Libraries

Over the past week and a half, we've been gathering images of POC writers and their libraries, as well as asking readers and writers of color to contribute their thoughts on the importance of building a personal library and how books by other POC writers have impacted their lives.

This post showcases responses from and glimpses into the libraries of Kazim Ali, Francisco Aragón, Jackson Bliss, Genève Chao, Shu-Ling Chua, Oliver de la Paz, M. Evelina Galang, Nathania Gilson, Jenna Le, Gemma Mahadeo, Meera (@ashmeera101), and Brian W. Parker.

Jan 26, 2018

A Library of One's Own

It's hard to explain exactly why having a personal library is so valuable -- and why it is particularly valuable to a person of color (writer or reader) to build a library for oneself. Here are a few ways of thinking about the value and purpose of a personal library -- and what it can enable in ourselves.

"The history of English is inextricably tied to the history of war, to the history of empire; they cannot be separated. And hence our literature cannot be separated from these histories. Language is one of the most powerful weapons of war. It is also one of the war's first victims."

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